Current Collaborations and Projects in Revision
Babel
ensemble
skyking skyking do not answer
sinfonietta
18’
commissioned by the Indiana University New Music Ensemble
Riddles in dead tongues
for ‘cello and piano
15’
commissioned by William Rowe and Concept Lab
Large Ensemble
2024
Wiegenlied
orchestra
7’
commissioned by the Onondaga Civic Symphony Orchestra
2017, rev. 2021
impossible engines
orchestra
4’
2019
The universe is full of doors
wind ensemble and electronics
60’
commissioned by the Texas State University Wind Symphony for the centennial of the TXU band program
2014
ghost of the machine
chamber orchestra
14’
Doctoral dissertation
2013
Flea Circus
chamber orchestra
4’
written for Alarm Will Sound for the 2013 Mizzou International Composers’ Festival
2010
“do it live!”
chamber orchestra
8’
Indiana University Dean’s Prize Commission
Small Ensemble
2023
lake effects
piano feature, percussion feature, flutes, clarinets, violin, ‘cello, and double bass
20’
commissioned by the Society for New Music
Piano Quintet
two violins, viola, ‘cello, and piano
18’
commissioned by the Santa Fe Chamber Music Festival
Court Music for Melting Ice Castles
for 2 alto saxophones, trumpet, trombone, and prepared piano
11’
commissioned by the Society for New Music for the 2023 Vision of Sound Festival
2016
“come iri da iri”
for double woodwind quintet
12’
commissioned by the Tanglewood Music Center with the generous support of the Merwin Geffen, M.D. and Norman Solomon, M.D. New Commissions Fund
2017 ASCAP Morton Gould Young Composer Award
“now wonder nyce and straunge”
for soprano, flute, clarinet, violin, viola, ‘cello, percussion, piano, and fixed media
texts by Geoffrey Chaucer
12’
2013 Harvard Fromm Music Foundation Commission
2012
Stargazer
for flute, clarinet, violin, viola, ‘cello, piano, and percussion
8’
written for the 2012 Aspen Summer Music Festival
2013 ASCAP Morton Gould Young Composer Award
2016 Brian M. Israel Prize
Chamber
2024
Sonatina
for piano solo
9’
2022
“Words”
for mezzo-soprano and piano
3’
written for Concept Lab
2021
Holding patterns and paradigm shifts
for alto flute, clarinet, violin scordatura, and ‘cello
3’
written for HUB New Music for socially distanced performance
2018
The conceit of dividing time
for two pianos (440/432) and electronics
8’
songs the monsters sang
for string quartet
18’
2016
“Repeat a lie often enough”
for clarinet, violin, ‘cello, and prepared piano
7’
written for the 2016 Copland House CULTIVATE Program
sur “la Choisy”
for eight horns
7’
commissioned by Michael Walker and the University of New Mexico Horn Choir
2014
Chorale
for string quartet
6’
written for the Santa Fe Chamber Music Festival Young Composer Project
2013
Electric Toys II
for violin and electronics (alt. version for viola and electronics)
8’
2011
Gold Rush
for five violins
10’
2011 BMI Student Composer Award
2012 Suzanne and Lee Ettelson Award, Composers Inc.
2008
Étude
for piano solo, right hand [or] open instrumentation
indeterminate
2007
comics
for piano solo
8’
Choir
2017
”There will come soft rains”
for sixteen voices
8’
commissioned by the ASCAP Foundation and the New York Virtuosi Singers
Educational
2017
A gentle rain
for Grade IV Band
4’
commissioned by Omar Williams and the North Colonie Friends of Music Association
Lost Works
Only a dream… (2014)
for solo soprano
5’
commissioned by Ariadne Greif for the 2014 Resonant Bodies Festival
Retracted Works
holding patterns and paradigm shifts II (2021)
for piano trio
nocturne (2018)
for horn and piano
waking waters (2017)
for orchestra
the current home (2017)
for choir and orchestra
dazzle camouflage (2017)
for trumpet and Max/MSP
to the wind (2015)
for violin and piano
“strange loops” (2015)
for violin solo
The Glass Imagination of Children (2014)
for two violins
Preludes for a silent world (2015)
for piano solo
Carroll Madrigals (2013)
for soprano and chamber ensemble
Bad Voodoo (2013)
for wind ensemble
The Light Fantastic (2011)
for orchestra
Three Pieces (2010)
for flute and oboe
Arcade Glitch (2010)
for orchestra
September (2010)
for viola solo
Hallucinations and Dances (2009)
for mixed septet
“lost coast” (2009)
for string quartet
“spaceful time” (2009)
for harp and piano [or] piano and Max/MSP
the filaments dance (2008)
for woodwind quintet
“mused rhyme” (2008)
for flute, clarinet, percussion, piano, violin, and ‘cello
“Night, good and sweet night” (2008)
for clarinet, violin, ‘cello, and piano
The Door (2008)
for soprano and orchestra
Qualia (2007)
for orchestra
“The company you keep” (2004, rev. 2006)
for soprano and piano
irreverent mirage (2006)
for orchestra
and they were with us too (2006)
for piano quintet
Split (2005)
for string quartet
Augustinian Odyssey (2005)
for piano trio